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收录时间: 2021-02-27 15:01:26
《靠自己成功》是成功学之父奥里森·马登的代表作之一,也是国学大师林语堂推荐给青年们的一本励志经典。作者马登在该书中列举了很多经典案例,由细节入手,探讨了如何依靠自己取得成功。
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作者:唐家三少
大陆传奇,一战成名;凤凰圣女,风火流星神界刀法;双升融合,金阳蓝月,雷霆之怒,这里没有魔法,没有斗气,没有武术,却有武魂。唐门创立万年之后的斗罗大陆上,唐门式微。一代天骄横空出世,新一代史莱克七怪能否重振唐门,谱写一曲绝世唐门之歌?   百万年魂兽,手握日月摘星辰的死灵圣法神,导致唐门衰落的全新魂导器体系。一切的神奇都将一一展现。   唐门暗器能否重振雄风,唐门能否重现辉煌,一切尽在《斗罗大陆》第二部——《绝世唐门》!
作者:随风漫步
太古异兽利爪捏碎诸天星辰,域外邪族发出惑乱众生的嘶鸣,黑暗深渊中的妖魔睁开了邪异的血瞳,远古诸神从沉睡中苏醒。这是一个大争之世!人族强者以利剑问鼎苍穹,在诸天万族中挺起不屈脊梁!楚剑秋偶得混沌天帝诀,从微弱中崛起,踏上万界征程。一念崩星海,一念裂苍穹。一念诛妖鬼,一念葬神魔!俯瞰诸天神域,谁敢争锋?这,就是天帝之威!
作者:木瓜黄
作者:忘语
一个从小体弱多病的富商之子,在寻求续命之法时,意外走上了修仙登天之路! 大唐盛世,天下安泰,风调雨顺,百姓安居。 千年后世,魔物吞天,妖鬼横行,遍野哀鸣。 西游再现,大圣斗天,天蓬下凡,卷帘重生。 莫名的穿梭与轮回,虚实掩映,真幻交织! 是预言中的梦境?还是尚未发生的现实? 他能否打破命中注定的魔障,消弭还未发生的三界大劫,挽救苍生于水火?
作者:风上忍
不知何时起,世界上多出了一种连通着各个异位面的神秘区域——幻境。 丧尸围城,学园默示,从零哥杀…… 在这里你可以得到着数之不尽的财富、风情各异的美人,还有那足以毁天灭地的强大力量。 无数追寻着梦想与野心的人们来到这里。 有人欢笑,有人哭泣,有人活着,有人死去。 这里是强者的乐园。 这里是弱者的地狱。 而我们的故事,要从一个身负全幻境最为神秘的EX级血统的年轻人,重生回七年前的那一刻开始……
作者:太上布衣
他是修仙界中唯一的剑修者,他一生都在修炼剑仙之道! 临死前,他只留下一句震撼世人的话语: “我的剑仙之道,从未有过逃跑,我要让这剑,只有锋芒。” 当他再次睁开眼眸,世界全变了! 他重修剑仙之道,剑诛天道,意碎苍穹,成就剑仙之境!
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作者:佚名
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain.
作者:Gilbert W. S.
He forged a party's will, which caused anxiety and strife, Resulting in his getting penal servitude for life.He was a kindly goodly man, and naturally prone, Instead of taking others' gold, to give away his own.
作者:佚名
Of all the ships upon the blue, No ship contained a better crew Thanthat of worthy CAPTAIN REECE, Commanding of THEMANTELPIECE.
作者:佚名
THE "BAB BALLADS" appeared originally in the columns of "FUN,"when that periodical was under the editorship of the late TOM HOOD. They were subsequently republished in two volumes, one called "THE BAB BALLADS," the other "MORE BAB BALLADS." The period during which they were written extended over some three or four years; many, however, were composed hastily, and under the discomforting necessity of having to turn out a quantity of lively verse by a certain day in every week.
作者:佚名
CHARLES D'ORLEANS, who has sometimes, for no very obviousreason, been styled the father of French lyric poetry, was born in May,1391. He was the son of Louis D'Orleans, the grandson of Charles V., andthe father of Louis XII. Captured at Agincourt, he was kept in England asa prisoner from 1415 to 1440, when he returned to France, where he diedin 1465. His verses, for the most part roundels on two rhymes, are songsof love and spring, and retain the allegorical forms of the Roman de laRose.